voice: Robert Bolton
Tibetan singing bowl and music: Andrew Zealley
composed, recorded and mixed in the sky, 2011
produced by PSBEUYS
SONNET 56 was on view as part of the HIVE group exhibition
OCAD University Graduate Gallery
205 Richmond Street West, Toronto
October 13 to 21, 2011
image: Sonnet 56 Sheet Music (original: H 30.5 cm W 45.7cm 100lb card stock)
I'LL BE YOUR MIRROR
photo installation
OCAD University, IAMD Department
October 2011
HOUSE MUSIC
performative audio installation
OCAD University, IAMD Department
September 2011
MY HOME HAS A GOLDEN GUEST
MY HOME HAS A GOLDEN GUEST
Site specific installation and performance by Pier Giorgio de Pinto. Sound environment by Andrew Zealley.
Saturday 27 August 2011 9 pm
guided tours: 28-29 August, 2 to 6 pm
CACT
Centro Arte Contemporanea Ticino
Bellinzona Switzerland
image: Pier Giorgio de Pinto
PRETTY BEUYS
PRETTY BEUYS: WINNING
produced by PSBEUYS
words: Robert Bolton
vocal beatbox: Luis Jacob
music: Andrew Zealley DOWNLOAD this set of five original tracks and receive 3 free bonus mixes
release: summer solstice 21 June 2011
image: Luis Jacob
PRETTY BEUYS: FIVE COVERS
produced by PSBEUYS
5-track EP FREE DOWNLOAD
WIN by David Bowie (1975)
PERMAFROST by Howard Devoto (1979)
CALIFORNIA by Joni Mitchell (1971)
CALIFORNIA by Tupac Shakur (1995)
SUSPICIOUS MINDS by Mark James (1968)
WALK ON THE WIDE SIDE by Lou Reed (1972)
no permission, no nothing
"public image ltd would like to thank absolutely no body, thank you"
QUEEN LEAR
featuring Massimo & Pierce, Val Denham and Andrew Zealley
arranged, programmed and produced in the sky by PSBEUYS, 2008-2010
QUEEN LEAR: WE ARE A PHONOGRAPH
11-track album STREAM and free DOWNLOAD
release: new moon 1 June 2011
QUEEN LEAR: E PEE
5-track remix STREAM and free DOWNLOAD
release: full moon 15 June 2011
January 10 - February 16, 2008 John Connelly Presents
625 West 27th Street
New York City 10001
NEW YORK CITY: ONE GARDEN ONE YEAR
CHRYSANNE STATHACOS & ANDREW ZEALLEY:
NEW YORK CITY: ONE GARDEN ONE YEAR
DVD
edition of 108, numbered
Six-hundred photographs of a courtyard garden, located on the border of the Chelsea and Greenwich Village districts of New York City�taken by Stathacos over the course of 12 months�look at nature as a cultural mirror for birth, growth, death and decay. Zealley's scorea counterpoint of instrumental and vocal passages, and international site recordings gathered in Florence, New York City and Toronto�serves as a guide to the four seasons. Experienced together, this dissolving audio/visual composite evokes a visual mantra, an observation on change, a year within 18-minutes.
image: Chrysanne Stathacos
PSBEUYS
FIFTEEN SOUNDS OF THE WAR ON THE POOR VOL.1 (Public Record)
featuring PSBEUYS: 15 BARS AT 60BPM Ultra-red asks fifteen artists and activists to come up with a one-minute audio recording in response to the question: What is the sound of the war on the poor? The results range from field recordings, re-appropriated sounds, mini-symphonies and spoken rants. Volume 1 features contributions by Alejandra and Aeron, Knut �sdam, Checkpoint 303, Christopher DeLaurenti, Michelle Dizon, Ashley Hunt, Jack Tactic, Anton Nikkil�, Isabelle No�l, Elliot Perkins, PSBEUYS, Jennifer Rarick, Rural Racism Project, Terre Thaemlitz, Ultra-red.
Full-length audio album, including artwork and text, on Public Record:
FREE DOWNLOAD now!
GIANT EAR: IN MEMORIAM, hosted by Todd Shalom
GIANT EAR: IN MEMORIAM is an online broadcast, dedicated to soundwork which addresses memory. The program includes "Farewell," by PSBEUYS. "Farewell" expands on an original sound piece by Santiago-based visual artist Rodrigo Cienfuegos, which is also featured in the broadcast.
free103point9 is a nonprofit arts organization focused on establishing and cultivating the TRANSMISSION ARTS genre
by promoting artists who explore ideas around transmission as a medium for creative expression.
Stream or download the complete program HERE.
"For a while now we've be working on a project called 72hr. Nuclear War; soliciting contributions of cover versions of the Sun Ra Arkestra song Nuclear War. For the weekend of March 23rd, in homage to the Yippies 1967 levitation of the Pentagon, we will arrange a series of five hand-built radio transmitters around the city of Philadelphia. For the entirety of the weekend we will broadcast the accumulated cover versions that we have received of the song throughout the city for all to listen to as a means of auditory exorcism. As the songs regenerate themselves through the ears, brains, and psyches of the individuals who listen to them we will begin the process of casting out the demons of governmental aggression summoned forth with such vigor over the last seven years. Trust us, it'll work." � RED76.
QUEEN LEAR
produced by PSBEUYS
free album download
BLACK SUN PRODUCTIONS: THE MILKY SMELL OF PHANTOM SPERM (Old Europa Cafe)
featuring PSBEUYS: BLACK LOLLIPOP and PASSING WATER Black Sun Productions is pleased to release The Milky Smell of Phantom Sperm � full length album of remixes, including two tracks by PSBEUYS: BLACK LOLLIPOP (a composite mix of "Dies Juvenalis" and "Das Gegentiel"), and PASSING WATER (featuring vocals by Lydia Lunch).
OUT NOW on Old Europa Cafe
KIDS ON TV: MIXING BUSINESS WITH PLEASURE (Chicks On Speed)
featuring PSBEUYS PNP MIX of BREAKDANCE HUNX
check it here
sound installation
audio program (23 minutes, 120 bpm), silver dust, pin-spot lamps, 2-channel P.A.
part of LADY DAY LORD NIGHT.
Art Metropole, Toronto
Vernal Equinox � March 21 2007
NATURE: THIS IS A RECORDING (2006)
NATURE: THIS IS A RECORDING (audio installation)
Remastered from Copy No.13 of the original audio edition, this sound work was originally conceived to accompany Robert Flack's EMPOWERMENT series. Re-united with Flack's visuals for the first time since 1991.
The National Gallery of Canada (Ottawa)
A DAY WITHOUT ART
Curated by Heather Anderson
November 18, 2006, through February 6, 2007
Images copyright/courtesy of The National Gallery of Canada
PUBLIC RECORD
work created in collaboration with Ultra-red and for the PUBLIC RECORD online audio resource
SILENT | LISTEN
Over 25-years into the AIDS crisis... the record is now open.
The Art Gallery of Ontario, Toronto
International Performance: August 14, 2006
Featuring Ultra-red, Reena Katz, Scott Kerr, Isabelle Noel, Sandro Perri and Andrew Zealley. Ultra-red's decision to occupy major American art institutions is tactical. SILENT|LISTEN reconnects the art world and AIDS activists with memories of when the arts served as a crucial arena - in some communities, the only public space - for open discussions about the pandemic. Despite the current absence of AIDS-related exhibitions the crisis continues, abetted as always by refusals to remember, refusals to mourn, and refusals to act.
Central to this project is a reconsideration of the mission statement of ACT UP: "united in anger to end the AIDS crisis through direct action." In the current proto-fascist historical moment, SILENT|LISTEN invokes affective responses other than rage as constitutive of collective action. The alternative, waiting for anger, will prove politically disastrous in terms of AIDS and the larger political crisis.
PSBEUYS: HOW TO EXPLAIN SILENCE TO A DEAD HARE
Included on ULTRA-RED: A SILENCE BROKEN. Full-length album with complete artwork, available online as a free download at PUBLIC RECORD.
"A SILENCE BROKEN sees body music as a site for critical engagement... [the participating artists] are people who are all struggling with their relationship to the history of struggle. We are colleagues in the politics of pleasure and the aesthetics of politics." - Dont Rhine/Ultra-red, XLR8R Magazine (May 2006)
F*uck Abstinence (*use condoms)
Rights + Riots: Sexual Rights For All
Profit + Poverty = AIDS Crisis
Open Borders For AIDS Treatment
Stop The War On Harm Reduction
Housing Is AIDS Care
A site-specific installation by Chrysanne Stathacos and Andrew Zealley, for NUIT BLANCHE, dusk to dawn, September 30 to October 1, 2006. Location: Philosopher's Walk, Toronto.
Visitors are invited to attach printed "wishes," available on-site, to the branches and trunk of a maple tree - which emanates a sound score. This sound/wishing tree becomes a meditative focus as visitors leave their symbolic messages. The score is fully realized when accompanied by sounds intrinsic to the area: footsteps and murmurings of passers-by, traffic in the distance, the hum of the city and the still of the night.
LUSTRE - starring Massimo & Pierce (Black Sun Productions), Ariot Fleischmann and Tom Dura.
John Connelly Presents (NYC), February 18 through March 25, 2006
GOLD - starring Genesis Breyer P'Orridge and Lady Jaye Breyer P'Orridge.
SILVER - starring AA Bronson and Jamie Ross.
Kavi Gupta Gallery (Chicago), October 20 through November 25, 2006.
featured in:
Queer Cinema from the Collection: Today and Yesterday
curated by AA Bronson
March 11-17 2011
Museum of Modern Art, New York City
program and screening info HERE
images: Scott Treleaven
STEPHEN ANDREWS: ON MESSAGE
Stephen Andrews: On Message (2005)
Projection piece by Stephen Andrews, with John Greyson. Audio by AZ.
Part of STEPHEN ANDREWS: POV, Paul Petro Contemporary Art, 2005.
LUIS JACOB: HABITAT
Luis Jacob: HABITAT
A site-specific installation by Luis Jacob, featuring sound by Andrew Zealley.
Both a fictive universe and an invitation for viewers to engage in social and personal interactions.
Art Gallery of Ontario (November 2005 through February 2006)
FIVE NOCTURNES FOR ELECTRICITY
EN/OF 024
Multiple: Edition of 100
FIVE NOCTURNES FOR ELECTRICITY: Audio works depicting dreams.
produced by PSBEUYS
33rpm black vinyl LP
signed/numbered photo edition by AA Bronson
published by EN/OF
edition of 100
Side A: Nocturnes I-IV, 33 rpm. Side B: Nocturne V, 45 rpm.
"5 beautifully crafted soundworks, hanging somewhere between mournful or elegiac and serene, melodious, ambient." � www.mircosuoni.com
Nocturne For Electricity I is also available on EN/OF001-030 (Museum Kurhaus Kleve exhibition catalogue), boxed edition with illustrated bookwork, essays, and 3 compact discs.
EMPATHETIC EAR is the audio installation for HALOS: DAVID BUCHAN AND ROBERT FLACK (curated by Andrew Zealley). EMPATHETIC EAR is conceived around spoken word cassette recordings, given to Zealley by Robert Flack (1957-1993), during the final months of the artist's life. The recordings � psychic readings between Flack, fellow artist Chrysanne Stathacos, and seer Jeremy Stockwell � are reduced to their visual sound wave state, silent "gates" through which manipulated fragments of Flack's original LP collection are glimpsed.
EMPATHETIC EAR is now available as a limited audio edition, 100 numbered copies. Packaged with a card depicting an original handwritten message by Robert Flack. Available at Art Metropole.
HALOS: DAVID BUCHAN AND ROBERT FLACK, Art Metropole (May 14 through July 30, 2005).
Sounds of the massage, recorded during a healing session � including hand-on-skin, breathing, conversation, fluids � instrumentation and electronics.
invocation
breathe into
skin I
belly
skin II
water
skin III
duration: 74:01
location recording: Toronto (02.29.04)
CD release: edition of 300, numbered/signed
CD photo edition: 1-40 include numbered/signed photo work by AA Bronson
published by AA Bronson*Media Guru Recordings 2004
MEDIAGURU001
HIGH DESERT TEST SITES
High Desert Test Sites
Joshua Tree, California
October 2004
Group show/sound installation featuring "Belly" from the AA BRONSON: HEALER audio work.
The High Desert Test Sites is a series of experimental art sites located along a stretch of desert communities including Pioneer town, Yucca Valley, Joshua Tree, 29 Palms and Wonder Valley. Projects are intended to melt back into the landscape.
This project was also installed at Los Angeles Contemporary Projects, L.A., through December 2004, as part of an HDTS satellite show entitled STRANGE ANIMALS.
THE
QUICK AND THE DEAD
artist bookwork with CD
ISBN 1-894212-04-5
Audio work created to accompany the exhibition, AA BRONSON: THE QUICK & THE DEAD.
The Power Plant Contemporary Art Gallery, Toronto
December 13, 2003 through March 7, 2004
The Morris and Helen Belkin Gallery, Vancouver
June 25 through August 22, 2004
Structured in three movements, Zealley�s composition plays with concepts of audio reflection, echo, fluxuating tempo and early music styles. The sound incorporates location recordings made in Prato and San Miniato (Tuscany).
THE QUICK & THE DEAD, the exhibition, is centered around a 17th century Tibetan convex Spirit Mirror once used by the State Oracle. Convex mirrors are a theme throughout THE QUICK & THE DEAD, from a series of 1969-70 photographs to recent sculptures. Bubble Machine #2 is a geodesic dome covered with motorcycle rear view mirrors. For Robert Morris incorporates surveillance mirrors. The mirrors in turn echo a kinetic sculpture producing a cascade of soap bubbles in the gallery, an image of the transitory nature of life and the emptiness of the ego. In the exhibition aspects of self-portraiture and self-exposure compound and complicate the meditation on life, death and individuality.
THE QUICK AND THE DEAD
I mirror
II bubble
III infinity
duration: 36:42
location recordings: Prato (05.28.03), and San Miniato (05.30.03)
bookwork with CD: edition of 1000
CD-only edition in custom sleeve featuring infinity drawing by AA Bronson reproduced as a rubber stamp image: edition of 100, numbered
published by The Morris & Helen Belkin Art Gallery and The Power Plant
Contemporary Art Gallery
2003
THIS IS TRUE TO ME is an artist bookwork with CD documenting the final
body of work by visual artist, the late Robert
Flack (1957-1993). The book includes Flacks visuals (sketches,
drawings and photo-based), and entries from his creative journals. The
CD features Zealleys audiowork for the installation.
THIS IS TRUE TO ME
spiral
robs dream of the inspirational vibration
dementia
river
portal
the eternal cosmic love machine
invocation
portal (the hypothetical guild mix)
jewel (bramwellness mix)
duration: 60:50
bookwork with CD: edition of 1000
CD-only edition in die-cut vellum sleeve with sticker: edition of 100
published by The Eternal Cosmic Love Machine Collective
1994
Relax! Live now, die a bit later.
Robert Flack
NATURE: THIS IS A RECORDING
MC in hand-made fabric pouch with postcard
out-of-print
NATURE: THIS IS A RECORDING is an audio multiple documenting
the Robert Flack exhibition, EMPOWERMENT.
Garnet Press Gallery, Toronto (January 18 through February 9, 1991).
Zealleys first collaboration with visual artist, the late Robert
Flack.
NATURE: THIS IS A RECORDING
Introtone
Sex
Nature: This Is A Recording
Head
Body & Soul
Tunnel of Love
Voice
Voice: Martyrs Heartbeat Mix
duration: 38:07
MC in pouch: edition of 100
hand-made fabric pouch designed and produced by James Fowler
1991
About the original exhibition at Garnet Press Gallery, January 19 to February 18, 1991:
"The layering of images and visual styles, and the references to assorted cultural and symbolic languages, and to the mystical body and alchemical transformation, create a rich maze. General evocations of different kinds of knowledge of the body -- visual, medical, mythological, spiritual -- are united in a pseudo-psychedelic pop sensibility and transcribed onto the body. (The fine line between mysticism and mystification is largely in the eye of the beholder: for all its esoterica, this work that seeks to engage with a contemporary audience).
"The same could be said of the sound environment by Andrew Zealley, which accompanied the installation of photographs. Rhythmic, pulsing, non-narrative, with allusions to various cultures and times, invoking/involving the body of the viewer, the sound transformed the space from gallery to shrine/dance club, and also altered the experience of viewing the photographs from largely visual to more fully physical. This effect is consistent with the artists' statement in a double-page spread in OUT Magazine (No.9, Jan/Feb1991), which stated that the work 'embodies ideas that integrate the body and mind as transformational tools.' It also states that the work is about, 'investigating ideas, disciplines and techniques designed to improve mental/physical health - serving to strengthen the immune system and encourage a positive state of mind.'" Hamish Buchanan, VIEWS (May 1991)